Traveling Exhibitions

Looting, Hoarding, Collecting … Museums and Repatriation 

From the spoils of war, to the issues of contemporary repatriation. Looting, Hoarding, Collecting explores the history of cultural property conflicts, the roles played in them by museums, and their lasting implications for the museum community and its constituencies. Societal acceptance of looting and hoarding, and the collecting of looted objects by museums have changed dramatically over the past decades, often leading museums of today to consider repatriating such artifacts.

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Tagged: Exploring Modern Graffiti 

“Tagged: Exploring Modern Graffiti” investigates the pervasiveness of graffiti in contemporary society, and considers both its artistic merit and transgressive nature. Graffiti defaces public and private property, but it is also found in some of the world’s most prestigious art galleries. While community officials battle against it, community organizers encourage it. Cities tighten their vandalism laws, yet companies glorify graffiti in their marketing campaigns. This blending of street, gallery, and pop culture aesthetics forces us to re-examine the definition of graffiti, which leads to this exhibition’s ultimate question: in the ever-evolving landscape of modern graffiti, is this form of expression an art or a crime?

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The Green Scale: Weighing in on the Green Movement 

"The Green Scale: Weighing in on the Green Movement" examines the successes, shortcomings, and impact of the green movement on our global village. The exhibition asks if the benefits of being green outweigh the disadvantages and invites visitors to examine both sides of the scale through the evidence provided.

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Tattoo: An American Evolution

This traveling exhibition examines the origins and development of tattoos in American culture, focusing on the history of the American tattoo, stigmatization of tattoos, societal acceptance and mainstreaming, as well as modern developments in tattoo technology.

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Moonlight Cocktails Are The Thing

This traveling exhibition delves into David F. Driesbach's 50-year career and the process of creating a print, by exhibiting prints, printing plates and working proofs (trial prints made before an image is completed).

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