Abstracts by Author
The Transnational Flow of Music from Burma to the United States
Some of the most prominent and commercially successful Burmese musicians have performed concert tours of the United States during the past decade. This article provides an empirical description of the transnational network which makes these concert tours possible, and then provides an explanation for this phenomenon. Burmese migrants—both the musicians and the emigrants who sponsor concerts—are identified here as transnational actors. This study, however, challenges much of the literature on transnational cultural flows, arguing that the appropriate focus for analysis in this case is not change and hybridity provoked by conditions in the host country (America), but rather the continuity of shared expectations and behaviors developed in the home country (Burma). In fact, it is the habitus of the Yangon-based music industry which makes possible the organization and funding of concert tours in the United States. This habitus, or shared way of thinking and behaving, includes: a flexible understanding of what constitutes a “band,” symbolic ties between musicians and fans which govern financial expectations, an informally structured industry which is open to the intervention of amateurs, and the habitual self-reliance of people who grew up under a government which provided few supports.
"A Glimpse into the Traditional Martial Arts in Burma" pp.141-152
The traditional martial arts are an aspect of Burmese culture that has been virtually ignored by Burma scholars. Yet these martial arts have a rich heritage dating back to the early days of Burma. Historic events, religion, political necessities, and, more have shaped them recently into economic realities. The traditional martial art came close to extinction during the British colonial period, but was revived during the Japanese occupation. In past times, they were utilized for warfare and self-defense. Today the self-defense element remains, while the combat element has been transformed into sports and artistic cultural expression. The present economic conditions and the spread of foreign martial arts pose a current threat to the survival of the Burmese traditional martial arts and require the attention of Burma scholars to document this important component of the historic cultural identity of Burma.
Megan Clymer and Min Ko Naing
"Conqueror of Kings: Burma’s Student Leader" pp.33-63
During the democracy uprising in 1988, Paw Oo Htun, whose nom de guerre, Min Ko Naing, means Conqueror of Kings, emerged as one of the movement’s most prominent student leaders. Together with other student leaders, he revived the umbrella students’ organization the All Burma Federation of Student Unions. Today, while serving out a twenty year prison sentence, Min Ko Naing remains a symbol of the Burmese student movement. In this essay, interviews with close friends and student colleagues help document his story.
Elizabeth H. Moore and Win Maung (Tampawaddy)
The Social Dynamics of Pagoda Repair in Upper Myanmar
Pagoda repair in Myanmar is not just a building upgrade but a significant mechanism connecting religious and lay communities. During the course of a renovation, the wider public is engaged, from urban elite to artisans, builders, shopkeepers and farmers in replenishing the dedicated space of the pagoda compound and the teachings it embod-ies. The case studies from Sagaing, Mandalay, Kyaukse and Bagan discussed here highlight how coordination of pagoda repair is often by word of mouth, familiar networks and more recently, social media. Informality is also pertinent in relation to archaeologi-cal calls for greater documentation of pagoda repair. Imposing daily recording could easily change malleable social contacts into disinterested form-fillers, rather than engaging local communities in the shared caretaking of their landscape. While information on archaeological and heritage management “best practice” is abundant, the processes of pagoda repair remains little known apart from the participants of each undertaking. Thus what a decade ago was a locally understood difference between repair and conservation, today is an urgent issue threatening both the vitality of the living Buddhist practice and its intangible heritage. Without a shared mechanism to oversee restorations of aged pagodas, the hard evidence from which to interpret the ancient cultural landscape will be irrevocably lost and its intangible sustenance gone. The issue needs to be openly debated and acted upon to ensure the compatible integration of international conservation and heritage practice with the existing social and religious dynamics of pagoda repair.
"Inoculators, The Indigenous Obstacle to Vaccination in Colonial Burma" pp.91-114
Kei NemotoVolume 5
"The Concepts of Dobama ("Our Burma") and Thudo-bama ("Their Burma") in Burmese Nationalism, 1930–1948" pp.1-16
This article attempts to demonstrate the interdependent operation of the term dobama (“our Burma”) and its opposite, thudo-bama (“their Burma”), in the minds of members of the Dobama-asiayoun (“Our Burma Party”). From the party’s very beginning in 1930 to the Anti-Fascist People’s Freedom League’s struggle against Japanese rule and subsequently for independence from the British from 1944 to 1947, Dobama party members, known as “thahkins,” avoided being identified as thudo-bama, meaning “the Burmese of their (the British or Japanese) side” or “the Burmese people who collabo