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Three Russian Tales of the Eighteenth Century
The Comely Cook, Vanka Kain, and “Poor Liza”
Mikhail Chulkov, Matvei Komarov Nikolai Karamzin
Translated and with an Introduction by David Gasperetti
“Gasperetti’s translations are both sparkling and masterful, and
they convey the look and the feel of the original texts, both in
their linguistic particularity and in their physical structure and
appearance.” —Marcia A. Morris, Professor and Chair of the
Department of Slavic Languages, Georgetown University.
For those who cannot read the language of the original texts, the
lively and varied world of eighteenth-century Russian literature has
been largely inaccessible. In this valuable collection, expert
translator David Gasperetti presents three seminal tales that express
the major literary, social, and philosophical concerns of late-
eighteenth-century Russia.
The country’s first bestseller, Matvei Komarov’s Vanka Kain
tells the story of a renowned thief and police spy and is also an
excellent historical source on the era’s criminal underworld. Mikhail
Chulkov’s The Comely Cook is a cross between Moll Flanders, with its comic emphasis on a woman of ill-repute who struggles to
secure her place in society, and Tristram Shandy, with its
parody of the conventions of novel writing. Chulkov’s work provides
readers with an exciting adventure story that established the
tradition of inscribing literary criticism into the Russian novel from
its inception. Finally, Nikolai Karamzin’s “Poor Liza,” the story of a young woman who kills herself over a failed love affair, set the
standard for writing sentimentalist fiction in Russia.
Chulkov, Komarov , and Karamzin wrote in distinctive styles, and
Gasperetti’s excellent translations convey the flavor peculiar to
each. Taken as a whole, these three works outline the beginnings of
modern prose fiction in Russia and illuminate the literary culture
that would give rise to the Golden Age of Russian letters. Ideal for
survey courses on Russian literature and courses devoted to modern
European fiction, this book will also appeal to specialists in
eighteenth-century Russian and western European culture, and to
educated readers outside the academy.
paperback
5.5x8.5
220 pages
David Gasperetti is associate professor of Russian at the
University of Notre Dame and the author of The Rise of the Russian
Novel: Carnival, Stylization, and Mockery of the West.
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