Undergraduate Level
All prospective undergraduates must perform the following:
- one snare drum solo or etude - rudimental OR concert (not both)
- rudimental suggestions: Pratt, Tompkins, Wilcoxon
- concert suggestions: Cirone, Delécluse, Masson
- one keyboard percussion solo or etude (4-mallet solo is preferred)
- two-mallet suggestions: Goldenberg, G.H. Green, Abe, Bach, Musser
- four-mallet suggestions: Zeltsman Intermediate Solo Collection, Stout, Burritt
- Two-mallet sight reading
- one timpani solo or etude
- suggested method books etudes: Carroll, Hochrainer, Delécluse
- other suggested repertoire: Carter etudes, solos by Carroll, Beck, Bergamo, etc.
- Solo or etude in one other area of applicants choice:
- multiple percussion
- world percussion
- drum set
- Demonstration of styles (to be selected from the following list):
- Jazz Ballad
- Medium swing
- Uptempo swing
- Brazilian Styles
- Afro-Cuban Styles
- FOR UNDERGRADUATE JAZZ MAJORS ONLY - all of the above, plus:
- Big band chart sight reading
- "Melodic drum solo"
- interpret a well-known jazz standard in the following format:
- head
- 2 choruses of improvised solo
- head out
- Diagnostic aural skills and physical coordination
- Interview
IMPORTANT NOTES:
- AUDITIONS MUST BE DONE IN PERSON. INTERNATIONAL STUDENTS MAY REQUEST
EXCEPTION.
- PLEASE BRING TWO COPIES OF YOUR MUSIC FOR THE ADJUDICATION PANEL.
Graduate Level (classical percussion)
- All prospective graduate students should be prepared to perform senior recital level literature in each of the following areas:
- snare drum
- two-mallet keyboard percussion
- four-mallet keyboard percussion
- timpani
- One standard orchestral excerpt on each of the following:
- keyboard percussion
- snare drum
- cymbals
- timpani
- In addition, applicant must also choose to perform one or more selections representing the following:
- multiple percussion
- world percussion instruments
- drum set (see details in undergrad description above)
- Two-mallet sight reading
- Diagnostic aural skills and physical coordination
- Interview
IMPORTANT NOTES:
- AUDITIONS MUST BE DONE IN PERSON. INTERNATIONAL STUDENTS MAY REQUEST
EXCEPTION.
- PLEASE BRING TWO COPIES OF YOUR MUSIC FOR THE ADJUDICATION PANEL.
Graduate Level (jazz studies)
All prospective Jazz Studies graduate students should be prepared to perform the following:
- Snare Drum Etude
- Vibraphone: Two- or Four-mallet jazz standard
- Two-mallet sightreading of a melody in the jazz idiom
- Drumset
- Demonstration of Styles
- Jazz Ballad
- Medium swing
- Uptempo swing
- Brazilian Styles
- Afro-Cuban Styles
- Big band chart sight reading
- "Melodic drum solo" - interpret a well-known jazz standard in the following format:
- head
- 2 choruses of improvised solo
- head out
- Transcription Performance (please provide recording on CD or MP3 player!):
- Play along with original recording of a significant jazz drummer (see examples below):
- Al Foster
- Art Taylor
- Louis Hayes
- Dave Tough
- Sonny Greer
- Sonny Payne
- Chick Webb
- Baby Dodds
- Billy Higgins
- Art Blakey
- Jimmy Cobb
- Philly Jo Jones
- Papa Jo Jones
- Roy Haynes
- Elvin Jones
- Kenny Clarke
- Paul Motian
- Shelly Manne
- Ed Thigpen
- Harold Jones
- Buddy Rich
- Mel Lewis
- Tony Williams
- Jack DeJohnette
- Transcription must be:
- minimum 2 choruses of 32-bar standard song form, or
- minimum 4 choruses of 12-bar blues form
- focused on time playing and comping, not drum solos
IMPORTANT NOTES:
- AUDITIONS MUST BE DONE IN PERSON. INTERNATIONAL STUDENTS MAY REQUEST
EXCEPTION.
- PLEASE BRING TWO COPIES OF YOUR MUSIC FOR THE ADJUDICATION PANEL.